Addresses

At 260 Queen Street, Brisbane city, Queensland 4000

Type of place

Art work

Period

Late 20th Century 1960-1999

This is an image of the local heritage place known as 'The Banker' sculpture

'The Banker' sculpture

This is an image of the local heritage place known as 'The Banker' sculpture showing the plaque which reads 'This sculpture was created by Len Shillam and fixed to the building in 1970. It represents bankers and the industries they assist.'

'The Banker' Plaque

The Banker sculpture

The Banker sculpture Download Citation (pdf, 759.43 KB)

Addresses

At 260 Queen Street, Brisbane city, Queensland 4000

Type of place

Art work

Period

Late 20th Century 1960-1999

‘The Banker’, located on the Westpac Bank building at 260 Queen Street, was installed in 1970 and is intended to represent bankers and the industries they assist. The sculptor, Leonard Shillam, is a significant Brisbane artist credited with introducing modern sculpture to Brisbane in the late 1940s.

Lot plan

L1_RP119919

Key dates

Local Heritage Place Since —

Date of Citation —

Construction

Sculpture: Aluminium

People/associations

Leonard Shillam (Sculptor)

Criterion for listing

(E) Aesthetic; (H) Historical association

Interactive mapping

City Plan Interactive Mapping

Lot plan

L1_RP119919

Key dates

Local Heritage Place Since —

Date of Citation —

Construction

Sculpture: Aluminium

People/associations

Leonard Shillam (Sculptor)

Criterion for listing

(E) Aesthetic; (H) Historical association

Interactive mapping

City Plan Interactive Mapping

History

The Banker was created by the renowned Brisbane sculptor Leonard Shillam in 1970. The sculpture was commissioned by the Westpac Banking Corporation following a competition and when completed was installed on the façade of the Westpac Bank building that faces Post Office Square.

Leonard Shillam studied drawing at the Brisbane Technical College in 1931-34 and then, with the aid of a Carnegie Corporation travelling scholarship, studied art in London in 1938-39.  Shillam is credited with introducing modern sculpture to Brisbane on his return from London and from 1950 onward he worked as a full-time sculptor.  Shillam is responsible for a number of significant public sculptures in Brisbane, including Enlightenment (1959), located on the river façade of the former Queensland State Library, Northbank, and Proclamation Figure (1959), located outside the Deanery in the Cathedral Precinct off Ann Street in the Central Business District. Leonard Shillam and his wife Kathleen are considered “among Queensland’s most significant public artists”.1

According to the plaque attached to the sculpture, The Banker is intended to represent ‘Bankers and the industries they assist’.  Judith McKay, in Brisbane sculpture guide: a walk around public sculpture in the city (1988) elaborates:

The Doric columns and entablature over the money-changer refer to the stability and antiquity of banking.  The upper cast panels and openwork structure show the progress and development made possible through the banking system in rural, industrial, scientific and constructional spheres.2

Lisanne Gibson and Joanna Besley claim The Banker is one of Shillam’s “most significant pieces of work”.3 

Leonard Shillam remains a significant figure in Brisbane and Australian sculpture.  In 1968 Leonard and his wife, Kathleen, became foundation members of the Society of Sculptors Queensland; Leonard was the first instructor in sculpture at the Queensland College of Art in 1975 and both he and Kathleen received the Order of Australia in 1986 for services to sculpture and education.  Since the 1950s, Shillam’s work has been represented in galleries throughout Australia.

Description

The Banker is located on the façade of the Westpac Bank building facing Post Office Square. It comprises an aluminium sculpture, which is intended to represent bankers and the industries they assist. The sculpture is attached to a vertical concrete panel, which contrasts with the horizontal fenestration of the building on either side, emphasising the visual impact of the artwork.

Statement of significance

Relevant assessment criteria

This is a place of local heritage significance and meets one or more of the local heritage criteria under the Heritage planning scheme policy of the Brisbane City Plan 2014. It is significant because:



References

  1. L. Gibson & J. Besley, Monumental Queensland: signposts on a cultural landscape, Brisbane, University of Queensland Press, 2004, p. 159

  2. J. McKay, Brisbane sculpture guide: a walk around public sculpture in the city, Brisbane, Society of Sculptors, 1988, p. 26

  3. Gibson & Besley, Monumental Queensland, p. 160

  4. Gibson, L. & Besley, J., Monumental Queensland: signposts on a cultural landscape, Brisbane, University of Queensland Press, 2004

  5. Kerr, J 1988, Brunswick Street, Bowen Hills and Beyond: the Railways of the Northern suburbs of Brisbane, Australian Railway Historical Society, Brisbane

  6. Shillam, L., Shillam sculpture, Brisbane, CopyRight Publishing, 2000


Citation prepared by — Brisbane City Council (page revised September 2019)

Late 20th Century 1960-1999
Art work
At 260 Queen Street, Brisbane city, Queensland 4000
At 260 Queen Street, Brisbane city, Queensland 4000 L1_RP119919
Aesthetic, Historical association